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Alison Jardine’s concrete sculptures are simultaneously (and perplexingly) playful and somber. Cast into pieces of found plastic debris, these relief sculptures from the artist’s Urban Flora series monumentalize the careless, yet distinct folds of trash bags. Although initially deceptive, the swiftest of second glances reveals that what looks to be a stretched plastic bag is actually concrete. This paradoxical preservation of the insignificant remnants of our consumer culture is only one of many tantalizing dichotomies in Jardine’s work. The sculptures meld geometric and organic forms, are at once seemingly indestructible and fragile, and explore themes of permanence and temporality. In drawing upon minimalist aesthetics, feminist theory, and the dark humor of British pop art, Jardine seeks to create “objects from a future past” that give voice to the achievements and pitfalls of our Anthropocene era.”  Read more…

by Georgia Erger

(Courtauld Institute, Southern Methodist University)

From an article/interview published by Peripheral Vision Arts